We prove who did what on every record, and make sure they keep getting paid for it.
Nigeria loses an estimated $231m a year in royalties that reach nobody, because the work was never documented in a form the collecting bodies can read.
- Splits are signed before the work startsNot after the song succeeds, when memory of who contributed what has already turned unreliable.
- Credits are minted on deliveryAttribution by default, with an explicit opt-out — rather than a favour a producer has to ask for.
- Every hop from gross to net is namedIncluding the ones nobody itemises to anyone downstream, and including our own fee.
TGC signs no artists and owns no masters. Project money is escrowed with a licensed partner.